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Recent Acquisitions
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Arman, Éventail, 1995 -
Sam Francis, SFP 83-194, 1983 -
Elizabeth Nourse, The Queen's House, Maison de lex Reign, Natalie de Serbia, 1929 -
Stuart Davis, Houses on the Shore (Summer Cottages), 1913 -
Ronnie Landfield, Egypt, 1984 -
Harriet Whitney Frishmuth, Small Spread Eagle, Modeled in 1910; cast by 1921 -
Reynolds Beal, Charleston, South Carolina, 1911 -
Lois Dodd, Rowe's Place Under Snow, Washington, Maine, 1977 -
Charles Green Shaw, Painting 44, 1956 -
Wolf Kahn, Field in Half Light (The Green Pasture II, Christensen's), 1979 -
John Marin, A Bit of Stonington, 1926 -
Pierre Bonnard, Paysage du Grand-Lemps, circa 1906
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What's New at Lincoln Glenn?
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Sherron Francis: Beyond the Stain
October 13, 2026Sherron Francis's current exhibition at Lincoln Glenn comprises a selection of the artist's paintings made between 1977 and '83 and evinces the artist's trajectory towards a singular mode of painting... -
Bradley Walker Tomlin
Small Wind Disturbing a Bonfire -
Sherron Francis: Between delicacy and force
October 2, 2026One of the main currents of abstract painting in the 1970s - much discussed then, not so much now - was the resurgence of painterliness that followed the 1960s trend... -
Hidden Trailblazers
Lincoln Glenn Gallery presents an exhibition dedicated to women artists throughout the history of the United States September 1, 2026Lincoln Glenn Gallery in New York is known for its exhibitions highlighting the work of overlooked artists, often women and minorities. This October, 250 Years: American Women Artists and the...
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Lincoln Glenn Gallery's mission is to present American art from the 19th century through the late 20th century. Exhibiting work from artists of the Hudson River School, American Impressionism, Ashcan School, American Modernism, and Surrealism, the gallery particularly focuses on Abstract Expressionism and Color Field painting. The gallery's program centers around uplifting the legacies and careers of artists working between the 1940s and 1970s who made significant contributions to art history, but who have been under-researched and less published in the decades following.