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What's New at Lincoln Glenn?
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Calvert Coggeshall
Chromatic Harmony January 29, 2024Produced on the occasion of the Calvert Coggeshall: Chromatic Harmony exhibition at 542 West 24th Street. The catalogue includes an essay by Jeffrey Wechsler, formerly Senior Curator at the Jane... -
Sherron Francis Is the AbEx Painter You Need to Know Now
September 23, 2022Swishing acrylic-laden squeegees onto canvases rolled out on the floor, SHERRON FRANCIS boldly probed the elusive attributes of color to reveal its suggestions of planes and depths. At the center... -
Shirley Goldfarb
Untitled (7), 1963Oil on paper
9 3/4 x 8 1/2 inches -
Josephine Paddock
Chrysanthemum PanelOil on canvas
25 x 30 inches -
Dorothy Deyrup
Chung's New World, 1944Oil on canvas
39 x 25 inches -
James Abbott McNeill Whistler
Beach Scene at Dieppe, 1885-86Watercolor on paper, mounted on board
8 1/2 x 5 inches -
James Chapin
Man on First, 1948Oil on canvas
28 x 24 inches -
Know Your Neighbors - The Lincoln Glenn Gallery
November 28, 2022Click the link below to watch Sunny Goldberg introducing the partners of The Lincoln Glenn Gallery in Larchmont. https://www.youtube.com/watch?v=iFaNARZNUgU -
Wolf Kahn
1927 - 2020 -
Alice Baber
Across the Wide, Tokyo, 1964Watercolor and leaf collage on paperboard
10 1/2 x 9 1/2 inches -
Dorothy Dehner
Untitled (wall relief), 1985Bronze, unique cast with golden patina
13 x 5 x 1 1/2 inches -
Barbara Hepworth
Rhythmic Form (Opus 368), 1957Oil on canvas
20 1/8 x 8 3/8 inches -
Grace Hartigan
Amina and Sigmund, 1986Watercolor on paper
84 x 60 inches -
Hannelore Baron
Untitled (C82-142), 1982Mixed media collage
Sheet 12 1/4 x 10 1/2 inches -
March Avery
Taking in the Nets, 1967Oil on canvas
16 x 22 inches -
Herbert Haseltine
Poodles: Nora and Sheila, 1944, cast 1945Bronze with green patina
11 inches high x 17 inches wide x 6 inches deep
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Lincoln Glenn, LLC was founded in 2022, with a mission to present American art from the 19th century to the contemporary period. The gallery exhibits works from artists of the Hudson River School, American Impressionism, Ashcan School, and American Modernism, with a particular focus on Abstract Expressionism and Color Field painting. Lincoln Glenn wishes to revive the legacies and explore the careers of artists working between the 1950s and 1970s who made significant contributions to art history, but whose names may have been forgotten by time. With galleries in Chelsea and the Upper East Side of Manhattan, Lincoln Glenn presents an eclectic exhibition program suited for many interests.